Joellyn duesberry biography of martin

          Duesberry is completely self-taught except for a month-long master class that she took with San Francisco Bay area painter Richard Diebenkorn.

        1. Duesberry is completely self-taught except for a month-long master class that she took with San Francisco Bay area painter Richard Diebenkorn.
        2. Joellyn T. Duesberry (American, ) Oil on panel landscape painting depicting a ridgeline with tree and structure details, signed and dated.
        3. Anderson Ranch, Aspen Co, master painting class, New York Studio School master classes with Graham Nickson and Joe Santore,
        4. Notes: Art exhibition catalog, 21 pages.
        5. In , a PBS documentary was made of Joellyn Duesberry's life, work, and creative process titled Joellyn Duesberry: Dialogue with the Artist.

          6. Anderson Ranch, Aspen Co, master painting class, New York Studio School master classes with Graham Nickson and Joe Santore,.

          Joellyn Duesberry

          American landscape painter

          Joellyn Toler Duesberry[1] (June 30, 1944 – August 5, 2016)[2] was a landscape artist who worked in oils.

          She said that her paintings echo the work of John Marin and Milton Avery.[3] Of her art, Duesberry said, "I am not interested in a realist painting, I am not interested in an abstract painting. I am interested in the tension."[4]

          Early life and education

          Joellyn Toler Duesberry was born on June 30, 1944, in Richmond, Virginia.[5] Growing up in rural Virginia instilled in her a love for the land.

          For the other three we will note Beth Van Hosen, California printmaker Joellyn Duesberry, American landscape painter, and of course Grandma.

          She said, "All my life I think I've unconsciously tried to re-create the place where bliss or terror first came to me. Both emotions seemed so strong that I had to locate them outside of myself, in the land. This goes back to a childhood habit--of living in rural Virginia and seeking woods and creeks and lakes for solitary refuge; places where I could sketch and paint."[1